viernes, 8 de noviembre de 2019

The Livelong Day. Lankum

This blog was born about a month ago and, practically at the same time, the third album by the Irish band Lankum was released. That coincidence was not the result of chance. After being away from folk music for more than 10 or 12 years, it was this record that prompted me to create this blog and to know the latest trends in Celtic music.

This is not the Irish music we are accustomed to listening to, many may even have difficulty identifying it as traditional music... but it is impressive. Seemingly simple and pure melodies are enveloped by a dense sound atmosphere created thanks to the drones of Lynch's uilleann pipe and Peat's accordions. MacDiarmada's heartbreaking fiddle and Daragh Lynch's murky guitar of are the elements that complete the complex, almost surreal, acoustic landscape of Lankum.




Personally I would like to highlight the voice of Radie Peat, a deep and impressive female voice, rooted in the earth like that of the great blues singers, a voice from another time. It is that voice that becomes the protagonist in the last cut of the album to give us the most painfully beautiful song I've heard in many years, Hunting The Wren, for me it's the best track of The Livelong Day.
You can buy The Livelong Day here.


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